000			01977cam a2200337Ii 4500
999			_c1077 _d1077
001			13217762
003			AE-ALZAD
005			20181008193941.0
008			131008s2012 gw a b 000 0 eng d
020			_a9781934105825
020			_a1934105821
040			_aAE-ALZAD _cAE-ALZAD
050		4	_aN6888.S782 _bS74 2012
090			_aN6888.S782 _bA35 2012
100	1		_aSteyerl, Hito. _93733
245	1	0	_aHito Steyerl : _bThe Wretched of the Screen / _cHito Steyerl.
246	3	0	_aWretched of the Screen
260			_aBerlin : _bSternberg Press, _c[2012]
300			_a198 p. : _bill. ; _c18 cm.
440		0	_aE-flux journal _93742
500			_aIintroduction by Franco "Bifo" Berardi.
504			_aIncludes bibliographical references.
520			_aIn Hito Steyerl's writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in. The Wretched of the Screen collects a number of Steyerl 's landmark essays from recent years in which she has steadily developed her very own politics of the image. Twisting the politics of representation around the representation of politics, these essays uncover a rich trove of information in the formal shifts and aberrant distortions of accelerated capitalism, of the art system as a vast mine of labor extraction and passionate commitment, of occupation and internship, of structural and literal violence, enchantment and fun, of hysterical, uncontrollable flight through the wreckage of postcolonial and modernist discourses and their unanticipated openings. -Back cover.
650		0	_aArt, Modern _y21st century _xPhilosophy. _93735
650		0	_aImage (Philosophy) _93736
650		0	_aArt _xPolitical aspects. _93737
650		0	_aArt _xEconomic aspects. _93738
655		7	_aAufsatzsammlung _2gnd _93739
700	1		_aBerardi, Franco. _93740
942			_2lcc _cBK