Curating digital art : from presenting and collecting digital art to networked co-curation /
Curating digital art : from presenting and collecting digital art to networked co-curation / From presenting and collecting digital art to networked co-curation Annet Dekker (ed.) ; with contributions by Pita Arreola-Burns [and thirty-five others]. - Amsterdam : Valiz, [2021] - 352 pages : illustrations ; 24 cm - Making Public . - Making public (Valiz) .
"With contributions by Pita Arreola-Burns, Evelyn Austin, LaTurbo Avedon, Paul Barsch, Livia Benedetti, Bob Bicknell-Knight, Elliott Burns, Tom Clark, Marci De Mutiis, Constant Dullaart, Madja Edelstein-Gomez, Rebecca Edwards, Amber van den Eeden, Rózsa Farkas, Marialaura Ghidini, Manique Hendricks, Tilman Hornig, Florian Kuhlmann, Kalle Mattsson, Anika Meier, Marie Meixnerová, Laura Mousavi, Katja Novitskova, Domenico Quaranta, Stefan Riebel, Ryder Ripps, Sakrowski, Katrina Sluis, Lilian Stolk, Systaime, Gaia Tedone, Jon Uriarte, Miyö Van Stenis, Nimrod Vardi, Marcela Vieira, Zhang Ga."
Includes bibliographical references and index.
What is the role of the curator when organizing digital art exhibitions in offline and online spaces? Analyzing the influence and impact of curating digital art, the book focuses on how the experiments of curators, artists and designers opened the possibility to reconfigure traditional models and methods for presenting and accessing digital art. In the process, it addresses how web-based practices challenge certain established museological values and precipitate alternative ways of understanding art's stewardship, curatorial responsibility, public access and art history. Through more than twenty interviews with artists and curators in the course of the last ten years, and flanked by an extensive timeline, the reader of this publication is given an insight into the discourse on digital art and its curation today.
9789493246010 9493246019
New media art.
Computer art.
Art--Exhibition techniques.
Art and the Internet.
Curatorship.
NX456.5.N49 / C87 2021
"With contributions by Pita Arreola-Burns, Evelyn Austin, LaTurbo Avedon, Paul Barsch, Livia Benedetti, Bob Bicknell-Knight, Elliott Burns, Tom Clark, Marci De Mutiis, Constant Dullaart, Madja Edelstein-Gomez, Rebecca Edwards, Amber van den Eeden, Rózsa Farkas, Marialaura Ghidini, Manique Hendricks, Tilman Hornig, Florian Kuhlmann, Kalle Mattsson, Anika Meier, Marie Meixnerová, Laura Mousavi, Katja Novitskova, Domenico Quaranta, Stefan Riebel, Ryder Ripps, Sakrowski, Katrina Sluis, Lilian Stolk, Systaime, Gaia Tedone, Jon Uriarte, Miyö Van Stenis, Nimrod Vardi, Marcela Vieira, Zhang Ga."
Includes bibliographical references and index.
What is the role of the curator when organizing digital art exhibitions in offline and online spaces? Analyzing the influence and impact of curating digital art, the book focuses on how the experiments of curators, artists and designers opened the possibility to reconfigure traditional models and methods for presenting and accessing digital art. In the process, it addresses how web-based practices challenge certain established museological values and precipitate alternative ways of understanding art's stewardship, curatorial responsibility, public access and art history. Through more than twenty interviews with artists and curators in the course of the last ten years, and flanked by an extensive timeline, the reader of this publication is given an insight into the discourse on digital art and its curation today.
9789493246010 9493246019
New media art.
Computer art.
Art--Exhibition techniques.
Art and the Internet.
Curatorship.
NX456.5.N49 / C87 2021