MARC details
| 000 -LEADER |
|---|
| fixed length control field |
04080nam a22003017a 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20190227074603.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
181009s2016 it a|||| bc|| 000 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9788867492701 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
AE-ALZAD |
| Transcribing agency |
AE-ALZAD |
| 043 ## - GEOGRAPHIC AREA CODE |
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| Geographic area code |
a-bg--- |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
N7310.8.B3 |
| Item number |
C75 2016 |
| 245 00 - TITLE STATEMENT |
|---|
| Title |
Critical writing ensembles / |
| Statement of responsibility, etc. |
edited by Katya García-Antón, with Antonio Cataldo. Dhaka art summit 2016 / artistic director, Diana Campbell Betancourt with Daniel Baumann, Nikhil Chopra, Madhavi Gore and Jana Prepeluh, Katya García-Antón with Antonio Cataldo [and four others]. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Milan, Italy : |
| Name of publisher, distributor, etc. |
Mousse Publishing, |
| Date of publication, distribution, etc. |
[2016] |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
2 v. (285, 149 p.) : |
| Other physical details |
ill. (chiefly col.) ; |
| Dimensions |
22 cm. |
| 500 ## - GENERAL NOTE |
|---|
| General note |
"Critical Writing Ensembles (Katya García-Antón with Antonio Cataldo, eds.) is being published together with Dhaka Art Summit 2016 (Diana Campbell Betancourt, ed.) that pairs with this book."--Colophon. |
| 500 ## - GENERAL NOTE |
|---|
| General note |
"Dhaka Art Summit 2016 (Diana Campbell Betancourt, ed.) is being published together with Critical Writing Ensembles (Katya García-Antón with Antonio Cataldo, eds.) that pairs with this book."--Colophon. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references. |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
[1]. Critical writing ensembles / edited by Katya García-Antón, with Antonio Cataldo -- [2]. Dhaka art summit 2016 / editor and project curator, Diana Campbell Betancourt. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
"A co-publication between the Samdani Art Foundation, Dhaka; Office for Contemporary Art Norway, Oslo; and Mousse Publishing, this 2-volume set is composed by two distinct but related books. A reader, edited by Katya García-Antón with Antonio Cataldo, addresses the themes that informed the Critical Writing Ensembles; an extended, illustrated compendium of the Dhaka Art Summit 2016, edited by Diana Campbell-Betancourt, offers an overview of all the projects that were developed for this unique initiative. Art writing has for some time endured challenges that vary in nature according to geography. In some parts of the world there are fewer spaces in which to write critically and experimentally about art and art history, there is less and less financing, and increasing constraints on time; in other places, whilst platforms for writing may be on the rise, their value and impact has declined. Writing is by nature a lonely endeavour, but under these conditions art writing is being pushed to the margins and alienated from the central and critical position that it should have in our societies, as will the immediate contact it should have with audiences. Through expanded essays and contributions, this reader mirrors the Critical Writing Ensembles at the Dhaka Art Summit. The Summit brought together peers from the South Asia region and across the globe into different working constellations in order to share writing histories and knowledge with each other, experiment together, and produce new critical impulses regarding art writing. Such an endeavour is therefore positioned within a global framework as much as a local one, for not only is this a project of some urgency regionally, but it reminds us of a world-wide crisis. The guide serves as a post-script to the Dhaka Art Summit 2016. While the Summit could only really be experienced in person (and many of the most dynamic discussions happened offline and informally in the many encounters between the roughly 300 artists, curators and writers involved, and the public), this book is a record of key exhibitions and moments of the Summit. It is meant to be used as a visual guide to place you within the context from where the Critical Writing Ensembles reader texts were born." -- Publisher's website. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art criticism |
| Geographic subdivision |
Bangladesh. |
| 9 (RLIN) |
4075 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art, Bangladeshi |
| Chronological subdivision |
21st century |
| Form subdivision |
Exhibitions. |
| 9 (RLIN) |
3651 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
García-Antón, Katya. |
| 9 (RLIN) |
4076 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Cataldo, Antonio. |
| 9 (RLIN) |
4077 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Betancourt, Diana Campbell. |
| 9 (RLIN) |
3965 |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
Samdani (Art Foundation : Dhaka, Bangladesh) |
| 9 (RLIN) |
5086 |
| 711 ## - ADDED ENTRY--MEETING NAME |
|---|
| Meeting name or jurisdiction name as entry element |
Dhaka Art Summit |
| Number of part/section/meeting |
(3rd : |
| Date of meeting or treaty signing |
2016 : |
| Location of meeting |
Dhaka, Bangladesh) |
| 9 (RLIN) |
5087 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Books |
