MARC details
| 000 -LEADER |
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| fixed length control field |
01809cam a2200181 a 4500 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
191120s2017 it a g 000 0deng |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9788836639052 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Transcribing agency |
DLC |
| Modifying agency |
DLC |
| Transcribing agency |
AE-ShKH |
| 050 14 - LIBRARY OF CONGRESS CALL NUMBER |
|---|
| Classification number |
ND969.A98 |
| Item number |
D53 2017 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Azzāwī, Ḍiyāʼ |
| 9 (RLIN) |
5630 |
| 245 10 - TITLE STATEMENT |
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| Title |
Dia Al-Azzawi : |
| Remainder of title |
a retrospective, from 1963 until tomorrow. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Cinisello Balsamo (MI), Italy : |
| Name of publisher, distributor, etc. |
Silvana ; |
| Place of publication, distribution, etc. |
Doha : |
| Name of publisher, distributor, etc. |
Mathaf: Arab Museum of modern art, |
| Date of publication, distribution, etc. |
2017. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
493 p. : |
| Other physical details |
ill. ; |
| Dimensions |
28 cm. |
| 520 3# - SUMMARY, ETC. |
|---|
| Summary, etc. |
The first part of the exhibition at Mathaf begins with a survey of the artist’s early engagement with historical and popular sources, in order to trace the consequences of his encounters with Arab poets, among them Mahmoud Darwish, Fadhil al-Azzawi, Saadi Youssef and Muzaffar al-Nawab. The exhibition goes on to chart the shifts that occur in his practice, in relation to the techniques of printmaking, and finally the consolidation of the relation between image and text into the daftar, a personal interpretation of the artist book form developed throughout the twentieth century. The second part of the exhibition at Al Riwaq profiles the relation between art and politics that emerged in his practice after 1968. It traces the formation of his critical use of the human form, in response to the collapse of the Palestinian liberation movement (1970) and the artist’s experience during his last service in 1973 on the Kurdistan war front. This posture was reactivated after a period of withdrawal following the artist’s move to London, in response to the Gulf war in 1991 and to the American invasion of 2003.--Museum website. |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Azzāwī, Ḍiyāʼ |
| Form subdivision |
Exhibitions. |
| 9 (RLIN) |
5631 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art, Arab |
| Chronological subdivision |
20th century |
| Form subdivision |
Exhibitions. |
| 9 (RLIN) |
5632 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art, Arab |
| Chronological subdivision |
21th century |
| Form subdivision |
Exhibitions. |
| 9 (RLIN) |
5633 |
