David Hammons : (Record no. 2648)

MARC details
000 -LEADER
fixed length control field 02462cam a2200229 a 4500
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 171106s2017 enka g b 000 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781846381867
Qualifying information (pbk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 184638186X
Qualifying information (pbk.)
040 ## - CATALOGING SOURCE
Transcribing agency AE-ShKH
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number N6537.H3455
Item number F55 2017
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Filipovic, Elena.
9 (RLIN) 7841
245 10 - TITLE STATEMENT
Title David Hammons :
Remainder of title Bliz-aard Ball Sale /
Statement of responsibility, etc. Elena Filipovic.
246 30 - VARYING FORM OF TITLE
Title proper/short title Bliz-aard Ball Sale
246 3# - VARYING FORM OF TITLE
Title proper/short title Blizaard Ball Sale
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. London :
Name of publisher, distributor, etc. Afterall Books,
Date of publication, distribution, etc. 2017.
300 ## - PHYSICAL DESCRIPTION
Extent 157 p. :
Other physical details ill. ;
Dimensions 21 cm.
490 1# - SERIES STATEMENT
Series statement One work
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references (p. 141-157).
520 8# - SUMMARY, ETC.
Summary, etc. One wintry day in 1983, alongside other street sellers in the East Village, David Hammons peddled snowballs of various sizes. He had neatly laid them out in graduated rows and spent the day acting as obliging salesman. He called the evanescent and unannounced street action 'Bliz-aard Ball Sale', thus inscribing it into a body of work that, from the late 1960s to the present, has used a lexicon of ephemeral actions and self-consciously black materials to comment on the nature of the artwork, the art world, and race in America. And although 'Bliz-aard Ball Sale' has been frequently cited and is increasingly influential, it has long been known only through a mix of eyewitness rumors and a handful of photographs. Its details were as elusive as the artist himself; even its exact date was unrecorded. Like so much of the artist's work, it was conceived, it seems, to slip between our fingers -- to trouble the grasp of the market, as much as of history and knowability.0In this study, Elena Filipovic collects a vast oral history of the ephemeral action, uncovering rare images and documents, and giving us singular insight into an artist who made an art of making himself difficult to find.
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note Machine generated contents note:
Miscellaneous information pt. 1
Title What We Know --
-- The Images --
-- The Myth --
Miscellaneous information pt. 2
Title The Evasions of David Hammons --
-- Where He's From --
-- Making a Stereotype Literal --
-- Outside --
-- The Bad Guy --
-- Exit --
Miscellaneous information pt. 3
Title Stalking Bliz-aard Ball Sale --
-- A Blizzard --
-- The Daringness of the Act --
-- Fugitive Evidence --
-- Temporary Business Ventures --
-- The Colour of Money --
-- As Black as Their Art is White --
-- Like Dirt to a Snowball --
-- Black Skin, White Cubes --
-- Colour Theory --
-- Ice and Dust and Rumours --
-- The Last Snowball --
-- What It Is.
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Hammons, David,
Dates associated with a name 1943-
General subdivision Criticism and interpretation.
9 (RLIN) 7842
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Shelving location Date acquired Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Library of Congress Classification     Jameel Library Jameel Library General Stacks 07/19/2020   N6537.H3455 F55 2017 13021 07/19/2020 07/19/2020 Books