MARC details
| 000 -LEADER |
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| fixed length control field |
02443nam a22002297a 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20181002112046.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
181002s2015 enka|||| b||| 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780714868776 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
AE-ALZAD |
| Transcribing agency |
AE-ALZAD |
| 043 ## - GEOGRAPHIC AREA CODE |
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| Geographic area code |
e------ |
| -- |
n-us--- |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
ND195 |
| Item number |
.F24 2015 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Falconer, Morgan. |
| 9 (RLIN) |
1847 |
| 245 10 - TITLE STATEMENT |
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| Title |
Painting beyond Pollock / |
| Statement of responsibility, etc. |
Morgan Falconer. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
London ; |
| -- |
New York : |
| Name of publisher, distributor, etc. |
Phaidon, |
| Date of publication, distribution, etc. |
2015. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
374 p. : |
| Other physical details |
ill (chiefly color) ; |
| Dimensions |
30 cm. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Introduction -- Things must be pulverized: abstract expressionism -- Wounded painting: informel in Europe and beyond -- Witnesses: post-war figurative painting -- Against gesture: geometric abstraction -- Post-painting part I: after Pollock -- Anti-tradition: pop painting -- A transcendental high art: neo-expressionism and its discontents -- Post-painting part II: after pop -- New figures: pop romantics.<br/> |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
Painting, with its endless capacity for reinvention, continues to occupy a privileged position in Western art. Since the mid-20th century, new practices have pushed art into territories such as performance and installation, leading some critics and artists to declare painting irrelevant or even finished. But these developments have, in fact, driven painting to new heights of innovation and interest, making these seventy years arguably the most lively in its history. Morgan Falconer tells the story beginning with Jackson Pollock and the Abstract Expressionists on both sides of the Atlantic, proceeds through postwar abstraction in France, social realism in East Germany, the end of geometric abstraction in Europe, American post-painterly abstraction, the handmade ready-mades of Rauschenberg and Johns, Pop's rise in Britain and the US, painting's confrontations with photography in the 1960s and beyond, the return of expressionism in the 1980s, new approaches to Pop in the 1990s and 2000s, and the continued variety of some of the most recent paintings to be made by a younger, 'post-medium' generation of artists. Painting Beyond Pollock is an illuminating guide for both specialists and enthusiasts of painting, written in language that is intelligent and accessible.--$cSource other than Library of Congress.<br/> |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Painting, Modern |
| General subdivision |
History. |
| Chronological subdivision |
20th century |
| 9 (RLIN) |
1848 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art, European$y |
| Chronological subdivision |
20th century |
| 9 (RLIN) |
1849 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Books |
