MARC details
000 -LEADER |
fixed length control field |
02456cam a22002658i 4500 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
201214s2021 nyu b 001 0 eng |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780367175436 |
Qualifying information |
(hardback) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781032013428 |
Qualifying information |
(pbk) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
Canceled/invalid ISBN |
9780367175511 |
Qualifying information |
(ebook) |
035 ## - SYSTEM CONTROL NUMBER |
-- |
14640 |
040 ## - CATALOGING SOURCE |
Transcribing agency |
AE-ShKH |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
a-le--- |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
N7276.7.B45 |
Item number |
R64 2021 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Rogers, Sarah A. |
Titles and words associated with a name |
(Art historian), |
Relator term |
author. |
9 (RLIN) |
3801 |
245 10 - TITLE STATEMENT |
Title |
Modern art in Cold War Beirut : |
Remainder of title |
drawing alliances / |
Statement of responsibility, etc. |
Sarah Rogers. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
New York : |
Name of publisher, distributor, etc. |
Routledge, Taylor & Francis Group, |
Date of publication, distribution, etc. |
2021. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
149 p. ; |
Dimensions |
26 cm. |
490 0# - SERIES STATEMENT |
Series statement |
Routledge Research in Art History |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"Modern Art in Cold War Beirut: Drawing Alliances examines the entangled histories of modern art and international politics during the decades of the 1950s and 60s. Positing the Cold War as a globalized conflict, fraught with different political ideologies and intercultural exchanges, this study asks how these historical circumstances shaped local debates in Beirut over artistic pedagogy, the social role of the artist, the aesthetics of form, and, ultimately, the development of a national art. Drawing on a range of archival material and taking an interdisciplinary approach that combines Art History, Middle Eastern, and Cold War studies, Sarah Rogers argues that the genealogies of modern art can never be understood as isolated, national histories, but rather that they participate in an ever contingent global modernism. This book will be of particular interest to scholars in art history, contemporary art, and Middle East studies"-- |
Assigning source |
Provided by publisher. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Beirut as Cultural Capital: Cosmopolitanism in the Shadow of the Cold War -- An Artistic Coup: Maryette Charlton and the Founding of the American University of Beirut's Department of Fine Arts -- The Artist as Cultural Diplomat: John Ferren in Beirut, 1963-64 -- Abstraction's Universalist Assumptions: Local Debates on the Practice of Art -- Figuration, International Alliances, and Palestinian Art in Beirut: The Painting of Tamam al-Akhal and Ismail Shammout -- Lessons from the Cold War and the Possibilities of Global Modernism. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Modernism (Art) |
Geographic subdivision |
Lebanon |
-- |
Beirut. |
9 (RLIN) |
15831 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Art |
General subdivision |
Political aspects |
Geographic subdivision |
Lebanon |
-- |
Beirut |
General subdivision |
History |
Chronological subdivision |
20th century. |
9 (RLIN) |
15832 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Art and society |
Geographic subdivision |
Lebanon |
-- |
Beirut |
General subdivision |
History |
Chronological subdivision |
20th century. |
9 (RLIN) |
15833 |