MARC details
000 -LEADER |
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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190621t20192019nyua bc 000 0deng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781884919350 |
Qualifying information |
(paperback) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
1884919359 |
040 ## - CATALOGING SOURCE |
Transcribing agency |
AE-ShKH |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
N7388 |
Item number |
.W35 2019 |
245 00 - TITLE STATEMENT |
Title |
Waiting for Omar Gatlato : |
Remainder of title |
a survey of contemporary art from Algeria and its diaspora / |
Statement of responsibility, etc. |
edited by Natasha Marie Llorens. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
[New York] : |
Name of publisher, distributor, etc. |
Miriam and Ira D. Wallach Art Gallery ; |
Place of publication, distribution, etc. |
[Berlin] : |
Name of publisher, distributor, etc. |
Sternberg Press, |
Date of publication, distribution, etc. |
[2019] |
300 ## - PHYSICAL DESCRIPTION |
Extent |
261 pages : |
Other physical details |
illustrations (chiefly color) ; |
Dimensions |
24 cm |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references. |
520 8# - SUMMARY, ETC. |
Summary, etc. |
Artists who belong to Algeria are caught between a national mythology that does not represent them and a historical space blanked out by state-sanctioned amnesia on both sides of the Mediterranean. Waiting for Omar Gatlato: A Survey of Contemporary Art from Algeria and Its Diaspora presents the work of twenty-five such artists who offer diverse representations of everyday life and are rigorously critical in their engagement with the legacies of Orientalist figuration, modernist abstraction, monumental public art, Conceptual art, and postmodern media theory after 1962, in a postindependence context.00This publication includes the first English translations of texts by key theorists of contemporary art in Algeria on the evolving relationship between art and politics, as well as poetry by Samira Negrouche and a graphic essay by Nawel Louerrad. The book?s title comes from an essay by Wassyla Tamzali on Merzak Allouache?s 1977 film Omar Gatlato.00Exhibition: Art Gallery, Columbia University in the City of New York, New York, USA (26.10.2019 - 15.03.2020). |
505 00 - FORMATTED CONTENTS NOTE |
Miscellaneous information |
Preface / |
Statement of responsibility |
Alexander Alberro -- |
Title |
Risking the Perception of Poetics : An Introduction / |
Statement of responsibility |
Natasha Marie Llorens -- |
Title |
The Birth of a Cinematographer : Merzak Allouache's Omar Gatlato / |
Statement of responsibility |
Wassyla Tamzali -- |
Title |
Introduction : Daho Djerbal on Decolonizing Colonial History / |
Statement of responsibility |
Madeleine Dobie -- |
Title |
History Writing as Cultural and Political Critique, or The Difficulty of Writing the History of a (De)Colonized Society / |
Statement of responsibility |
Daho Djerbal -- |
Title |
Structures of Reappropriation / |
Statement of responsibility |
Nadira Laggoune-Aklouche -- |
Title |
View of the Fine Arts : Interview with / |
Statement of responsibility |
Nadira Laggoune-Aklouche, Zahia Rahmani -- |
Title |
The Impact of the Arab Revolutions on Artistic Production in Algeria : Between Saving the Local Model and Denouncing Foreign Interference / |
Statement of responsibility |
Fanny Gillet -- |
Title |
Frantz Fanon, an Icon? Thoughts to See : Fanon's Algeria in the Visual Arts / |
Statement of responsibility |
�Emilie Goudal -- |
Title |
Seven Little Jasmine Monologues Six makeshift trees around my bathtub / |
Statement of responsibility |
Samira Negrouche -- |
Title |
Nawel Louerrad, interspersed pages from Regretter l'absence de l'astre -- |
-- |
Artists in the Exhibition : All texts by / |
Statement of responsibility |
Natasha Marie Llorens -- |
Title |
Louisa Babari -- |
-- |
Fay�cal Baghriche -- |
-- |
Bardi -- |
-- |
Mouna Bennamani -- |
-- |
Adel Bentounsi -- |
-- |
Zoulikha Bouabdellah -- |
-- |
Halida Boughriet -- |
-- |
Fatima Chafaa -- |
-- |
EL Meya -- |
-- |
Hakima El Djoudi -- |
-- |
Karim Ghelloussi -- |
-- |
Mounir Gouri -- |
-- |
Mourad Krinah -- |
-- |
Nawel Louerrad -- |
-- |
Amina Menia -- |
-- |
Sonia Merabet -- |
-- |
Yazid Oulab -- |
-- |
Lydia Ourahmane -- |
-- |
Sadek Rahim -- |
-- |
Dania Reymond -- |
-- |
Sara Sadik -- |
-- |
Fethi Sahraoui and La Chambre Claire -- |
-- |
Massinissa Selmani -- |
-- |
Fella Tamzali Tahari -- |
-- |
Djamel Tatah -- |
-- |
Sofiane Zouggar -- |
-- |
Thinking about Art in Disorderly Times Khaled Bouzidi -- |
Miscellaneous information |
Acknowledgments -- |
-- |
Credits -- |
-- |
Colophon. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Art, Algerian |
Chronological subdivision |
20th century |
Form subdivision |
Exhibitions. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Art, Algerian |
Chronological subdivision |
21st century |
Form subdivision |
Exhibitions. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Llorens, Natasha Marie. |
9 (RLIN) |
16931 |
710 2# - ADDED ENTRY--CORPORATE NAME |
Corporate name or jurisdiction name as entry element |
Wallach Art Gallery. |
9 (RLIN) |
16932 |