Image from Google Jackets

Stop, look, listen : an exhibition of video works / Andrea Inselmann.

By: Inselmann, AndreaMaterial type: TextTextPublication details: Ithaca, N.Y. : Herbert F. Johnson Museum of Art, Cornell University, [2008] Description: 184 p. : ill. ; 24 cmISBN: 9781934260036Subject(s): Video art -- ExhibitionsLOC classification: N6494.V53 | I57 2008Abstract: The Herbert F. Johnson Museum of Art at Cornell University presents Stop. Look. Listen., an exhibition of video works in all temporary exhibition galleries, in the lobby, and projected on the building's façade. The exhibition marks five years of collecting in the area of video and continues the Museum's commitment to video as a vital part of its program. Stop. Look. Listen. seeks to consider the continuities between the two prevalent idioms-feedback and immersion-in video works of the last fifteen years. It focuses on pieces that have a significant relationship between sound and image, such as Salla Tykkä 's and Jesper Just 's works that make use of existing soundtracks, or Mircea Cantor's Deeparture, that is purposefully silent. Within this treatment of sound and image, artists also address issues related to spectatorship and the represented and viewing body, such as the floating bodies in Janet Biggs 's Water Training, or the stumbling body in Patty Chang 's Losing Ground, or Janine Antoni 's balancing act in Touch. Using 25 works by 16 international artists, the exhibition illustrates that a multisensory response to the moving image can occur within both practices, feedback and immersion, as long as certain conditions within the image and the installations are fulfilled. Many of the featured works seek to destabilize traditional oppositions between viewer and viewed by emphasizing a more inclusive vision, in which the viewing body becomes a creative agent, thus proposing an emancipated viewer. Other artists represented in the exhibition are Burt Barr, Johanna Billing, Slater Bradley, Amy Globus, Amy Jenkins, Mads Lynnerup, Christian Marclay, Rodney McMillian, Anri Sala, and Saskia Olde Wolbers. The exhibition was curated by Andrea Inselmann, curator of modern and contemporary art at the Johnson Museum--Press release
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Books Books Jameel Library
N6494.V53 I57 2008 (Browse shelf(Opens below)) 1 Available 8205
Browsing Jameel Library shelves Close shelf browser (Hides shelf browser)
N6494.T94 T84 2014 Typewriter art : N6494.V53 E27 2017 Early video art and experimental film networks / N6494.V53 H44 2015 Rumour and radiation : N6494.V53 I57 2008 Stop, look, listen : N6494.V53 M55 2007 Fischli and Weiss : N6494.V53 M66 2010 Screens : N6494.V53 R48 2006 Review :

The Herbert F. Johnson Museum of Art at Cornell University presents Stop. Look. Listen., an exhibition of video works in all temporary exhibition galleries, in the lobby, and projected on the building's façade. The exhibition marks five years of collecting in the area of video and continues the Museum's commitment to video as a vital part of its program. Stop. Look. Listen. seeks to consider the continuities between the two prevalent idioms-feedback and immersion-in video works of the last fifteen years. It focuses on pieces that have a significant relationship between sound and image, such as Salla Tykkä 's and Jesper Just 's works that make use of existing soundtracks, or Mircea Cantor's Deeparture, that is purposefully silent. Within this treatment of sound and image, artists also address issues related to spectatorship and the represented and viewing body, such as the floating bodies in Janet Biggs 's Water Training, or the stumbling body in Patty Chang 's Losing Ground, or Janine Antoni 's balancing act in Touch. Using 25 works by 16 international artists, the exhibition illustrates that a multisensory response to the moving image can occur within both practices, feedback and immersion, as long as certain conditions within the image and the installations are fulfilled. Many of the featured works seek to destabilize traditional oppositions between viewer and viewed by emphasizing a more inclusive vision, in which the viewing body becomes a creative agent, thus proposing an emancipated viewer. Other artists represented in the exhibition are Burt Barr, Johanna Billing, Slater Bradley, Amy Globus, Amy Jenkins, Mads Lynnerup, Christian Marclay, Rodney McMillian, Anri Sala, and Saskia Olde Wolbers. The exhibition was curated by Andrea Inselmann, curator of modern and contemporary art at the Johnson Museum--Press release

There are no comments on this title.

to post a comment.