Uproot : travels in twenty-first-century music and digital culture / Jace Clayton.
Material type: TextPublication details: New York : Farrar, Straus and Giroux, 2016. Description: 274 p. ; 19 cmISBN: 9780374533427Subject(s): Popular music -- Social aspects | Dissemination of music | Music and the Internet | Popular music -- Production and directionLOC classification: ML3918.P67 | C63 2016Item type | Current library | Call number | Status | Date due | Barcode |
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Books | Jameel Library | ML3918.P67 C63 2016 (Browse shelf(Opens below)) | Available | 4396 |
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ML3916 .K805 2019 Ways of hearing / | ML3917.I4 N57 2020 Musicophilia in Mumbai : performing subjects and the metropolitan unconscious / | ML3917.I72 D38 2015 Listening to war : | ML3918.P67 C63 2016 Uproot : | N1.A1 F53 No.310 Flash art. | N1 .A78 V.49 Artforum international. | N1 .A78 V.49 Artforum international. |
Confessions of a DJ -- Auto-tune gives you a better me -- How music travels -- World music 2.0 -- Red Bull gives you wings -- Cut & paste -- Tools -- Loops -- How to hold on? -- Active listening.
In 2001 Jace Clayton was an unknown DJ who recorded a three-turntable, sixty-minute mix and put it online to share with friends. Within weeks, Gold Teeth Thief became an international calling card, whisking Clayton away to play a nightclub in Zagreb, a gallery in Osaka, a former brothel in Sao Paolo, and the American Museum of Natural History. Just as the music world made its fitful, uncertain transition from analog to digital, Clayton found himself on the front lines of creative upheavals of art production in the twenty-first century globalized world. Uproot is a guided tour of this newly-opened cultural space. With humor, insight, and expertise, Clayton illuminates the connections between a Congolese hotel band and the indie-rock scene, Mexican rodeo teens and Israeli techno, and Whitney Houston and the robotic voices is rural Moroccan song, and offers an unparalleled understanding of music in the digital age.
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