David Hammons : Bliz-aard Ball Sale / Elena Filipovic.
Material type:
Item type | Current library | Call number | Status | Date due | Barcode |
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Jameel Library | N6537.H3455 F55 2017 (Browse shelf(Opens below)) | Available | 13021 |
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N6537.D563 A4 2013B Jason Dodge : | N6537.G463 A4 2020 Daniele Genadry : | N6537.G628 A4 2020 Photostats - Felix Gonzalez-Torres / | N6537.H3455 F55 2017 David Hammons : | N6537.H3645 A4 2017 Jacob Hashimoto : | N6537.J335 A4 2008 Emily Jacir / | N6537.K2295 A4 2018 Acts of reparation : |
Includes bibliographical references (p. 141-157).
One wintry day in 1983, alongside other street sellers in the East Village, David Hammons peddled snowballs of various sizes. He had neatly laid them out in graduated rows and spent the day acting as obliging salesman. He called the evanescent and unannounced street action 'Bliz-aard Ball Sale', thus inscribing it into a body of work that, from the late 1960s to the present, has used a lexicon of ephemeral actions and self-consciously black materials to comment on the nature of the artwork, the art world, and race in America. And although 'Bliz-aard Ball Sale' has been frequently cited and is increasingly influential, it has long been known only through a mix of eyewitness rumors and a handful of photographs. Its details were as elusive as the artist himself; even its exact date was unrecorded. Like so much of the artist's work, it was conceived, it seems, to slip between our fingers -- to trouble the grasp of the market, as much as of history and knowability.0In this study, Elena Filipovic collects a vast oral history of the ephemeral action, uncovering rare images and documents, and giving us singular insight into an artist who made an art of making himself difficult to find.
Machine generated contents note: pt. 1 What We Know -- The Images -- The Myth -- pt. 2 The Evasions of David Hammons -- Where He's From -- Making a Stereotype Literal -- Outside -- The Bad Guy -- Exit -- pt. 3 Stalking Bliz-aard Ball Sale -- A Blizzard -- The Daringness of the Act -- Fugitive Evidence -- Temporary Business Ventures -- The Colour of Money -- As Black as Their Art is White -- Like Dirt to a Snowball -- Black Skin, White Cubes -- Colour Theory -- Ice and Dust and Rumours -- The Last Snowball -- What It Is.
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