A voice and nothing more / Mladen Dolar.
Material type: TextSeries: Short circuitsPublication details: Cambridge, Mass. : MIT Press, c2006. Description: 213, [1] p. : ill. ; 21 cmISBN: 0262541874 (pbk. : alk. paper); 9780262541879Subject(s): Voice (Philosophy)LOC classification: B105.V64 | D65 2006Summary: The voice was not a major philosophical topic until the 1960s, when Derrida and Lacan separately proposed it as a central theoretical concern. Here, Dolar goes beyond Derrida's idea of "phonocentrism" and revives and develops Lacan's claim that the voice is one of the paramount embodiments of the psychoanalytic object. He proposes that, apart from the uses of the voice as a vehicle of meaning and as a source of aesthetic admiration, there is a third level of understanding: the voice as an object that can be seen as the lever of thought. He investigates the object voice on a number of different levels--linguistics, metaphysics, ethics (the voice of conscience), the paradoxical relation between the voice and the body, the politics of the voice--and finally scrutinizes the uses of the voice in Freud and Kafka. With this foundational work, Dolar gives us a philosophically grounded theory of the voice as a Lacanian object-cause.--From publisher description.Item type | Current library | Call number | Status | Date due | Barcode |
---|---|---|---|---|---|
Books | Jameel Library | B105.V64 D65 2006 (Browse shelf(Opens below)) | Available | 13456 |
Browsing Jameel Library shelves Close shelf browser (Hides shelf browser)
B105.M65 M37 2002 Parables for the virtual : movement, affect, sensation / | B105.M65 M37 2002 Parables for the virtual : movement, affect, sensation / | B105.S59 L33 2018 Sonic agency : | B105.V64 D65 2006 A voice and nothing more / | B126 .F46 1997 A short history of Chinese philosophy / | B127.E46 N95 2018 The Chinese pleasure book / | B728 .S45 1994 Mystical languages of unsaying / |
Includes bibliographical references (p. [189]-[214]) and index.
The voice was not a major philosophical topic until the 1960s, when Derrida and Lacan separately proposed it as a central theoretical concern. Here, Dolar goes beyond Derrida's idea of "phonocentrism" and revives and develops Lacan's claim that the voice is one of the paramount embodiments of the psychoanalytic object. He proposes that, apart from the uses of the voice as a vehicle of meaning and as a source of aesthetic admiration, there is a third level of understanding: the voice as an object that can be seen as the lever of thought. He investigates the object voice on a number of different levels--linguistics, metaphysics, ethics (the voice of conscience), the paradoxical relation between the voice and the body, the politics of the voice--and finally scrutinizes the uses of the voice in Freud and Kafka. With this foundational work, Dolar gives us a philosophically grounded theory of the voice as a Lacanian object-cause.--From publisher description.
There are no comments on this title.