Image from Google Jackets

Global Art in Local Art Worlds : Changing Hierarchies of Value.

By: Salemink, OscarContributor(s): Corr�ea, Am�elia Siegel | Sejrup, Jens | Nielsen, VibeMaterial type: TextTextSeries: Materializing Culture SerPublisher: Milton : Taylor & Francis Group, 2023Copyright date: �2022Description: 1 online resource (319 pages)Content type: text Media type: computer Carrier type: online resourceISBN: 9781000836769Genre/Form: Electronic books. Additional physical formats: Print version:: Global Art in Local Art WorldsOnline resources: Click to View
Contents:
Cover -- Endorsement -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of Contents -- Figures -- Contributors -- Acknowledgements -- Introduction: Global Art in Local Art Worlds and the Global Hierarchy of Value -- Valuation and Spheres of Exchange -- Financial, Cultural and Geocultural Valuations in Art Worlds -- Historicizing the Global Hierarchy of Value -- Challenging Euro-American Dominance? -- Globality and Universality -- The Book -- Notes -- References -- Reflection 1 Going Beyond, Notes On Cultural Valuations and Spatial Difference: (Based On a Conversation With Oscar Salemink, June 2022) -- Situating Local and Global -- Beyond the Here and Now -- Institutions and Value -- Decolonization and Diversification -- References -- Part 1 Tropicalism and Canonization -- 1 Inhotim, an International Tropical Museum: Distinction and the Canonization of Brazilian Avant-Gardes -- From Local Mines to the Global Art World (And Back) -- "It Doesn't Even Look Like Brazil": The Contradictions of Inhotim's Tropicality -- Building Up a Collection: Friendship, Distinction, and Global Circulations -- Canons, Museums and the Brazilian Avant-Garde -- Conclusions -- Notes -- References -- Reflection 2 The Tropics as Convention and Consecration -- Note -- References -- Reflection 3 Is There a Global Canon?: Reflections On World Art History -- School of the Art Institute of Chicago -- Notes -- References -- Part 2 Recognition and Ambivalence -- 2 Ambivalent Art at the Tip of a Continent: The Zeitz MOCAA and Its Quest for Global Recognition -- The Desire for Global Recognition -- The Ambivalence Between Local Affinities and Global Ambitions -- Conclusion: Ambivalent Recognition -- Notes -- References -- Reflection 4 Recognition -- References -- Reflection 5 Ambivalence and the Racial Politics of Value -- Notes -- References.
Part 3 Global Circulation of Ideas and Universality -- 3 A Local Universal Modernity: World-Heritagizing Le Corbusier's Building for the National Museum of Western Art in Tokyo -- Introduction -- Value Hierarchy, Universality, and the Circulation of Ideas -- Franco-Japanese Connections: Matsukata, Le Corbusier, and the National Museum of Western Art -- Ascribing Outstanding Value: Spreading the Universal -- Local Modernity: Absorbing the Universal -- Conclusion -- Notes -- References -- Reflection 6 The Role of Public Statuary in the Global Circulation of Ideas -- Notes -- References -- Reflection 7 Provincializing the Universal -- Notes -- References -- Part 4 Curation and Authorization -- 4 Curatorship and Authorization in Chinese Contemporary Art Institutions -- Curating Art - Art as Curation -- Curatorial Pedigrees -- Competitive Canonizations -- Avenues of Curation -- Avenues of Authorization -- Conclusion -- Notes -- References -- Reflection 8 Curation and Forms of Censorship -- Notes -- References -- Reflection 9 Authorization, Derivative Discourse, and Discursive Equality -- Notes -- References -- Part 5 Validation and Circuits of Valuation -- 5 From Mumbai to London: Co-Constituting Value in Art From India Via Local and Global Circuits of Valuation -- Circuits of Valuation and Global Hierarchies of Value -- Artists and Careers -- Dealers and Sales -- Collecting and Selecting Art -- Conclusion -- Notes -- References -- Reflection 10 Validation and the Global Hierarchy of Value: Moving in a Rugged Landscape -- References -- Reflection 11 A Mandala of Value: A Granular Approach to Art Valuation Across Geopolitical Fragments -- Notes -- References -- Part 6 Indigenous Art and Indigenous Cultural Capital -- 6 Re-Collecting, Re-Classifying, Re-Ordering: Indigenous Art and the Contemporary Australian Art Field -- Limits of the Global Contemporary.
Indigenous Art: A Relatively Autonomous Sub-Field -- Re-painting History -- Mapping Culture to Country -- Conclusion -- Notes -- References -- Reflection 12 Indigenous Protagonism and Its Impact On the Brazilian Art System -- Notes -- References -- Reflection 13 Indigenous Art: Decolonization Through the Looking Glass -- Notes -- References -- Afterword: Agency and Hierarchy in the Creation of Aesthetic Value -- Notes -- References -- Index.
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
No physical items for this record

Cover -- Endorsement -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of Contents -- Figures -- Contributors -- Acknowledgements -- Introduction: Global Art in Local Art Worlds and the Global Hierarchy of Value -- Valuation and Spheres of Exchange -- Financial, Cultural and Geocultural Valuations in Art Worlds -- Historicizing the Global Hierarchy of Value -- Challenging Euro-American Dominance? -- Globality and Universality -- The Book -- Notes -- References -- Reflection 1 Going Beyond, Notes On Cultural Valuations and Spatial Difference: (Based On a Conversation With Oscar Salemink, June 2022) -- Situating Local and Global -- Beyond the Here and Now -- Institutions and Value -- Decolonization and Diversification -- References -- Part 1 Tropicalism and Canonization -- 1 Inhotim, an International Tropical Museum: Distinction and the Canonization of Brazilian Avant-Gardes -- From Local Mines to the Global Art World (And Back) -- "It Doesn't Even Look Like Brazil": The Contradictions of Inhotim's Tropicality -- Building Up a Collection: Friendship, Distinction, and Global Circulations -- Canons, Museums and the Brazilian Avant-Garde -- Conclusions -- Notes -- References -- Reflection 2 The Tropics as Convention and Consecration -- Note -- References -- Reflection 3 Is There a Global Canon?: Reflections On World Art History -- School of the Art Institute of Chicago -- Notes -- References -- Part 2 Recognition and Ambivalence -- 2 Ambivalent Art at the Tip of a Continent: The Zeitz MOCAA and Its Quest for Global Recognition -- The Desire for Global Recognition -- The Ambivalence Between Local Affinities and Global Ambitions -- Conclusion: Ambivalent Recognition -- Notes -- References -- Reflection 4 Recognition -- References -- Reflection 5 Ambivalence and the Racial Politics of Value -- Notes -- References.

Part 3 Global Circulation of Ideas and Universality -- 3 A Local Universal Modernity: World-Heritagizing Le Corbusier's Building for the National Museum of Western Art in Tokyo -- Introduction -- Value Hierarchy, Universality, and the Circulation of Ideas -- Franco-Japanese Connections: Matsukata, Le Corbusier, and the National Museum of Western Art -- Ascribing Outstanding Value: Spreading the Universal -- Local Modernity: Absorbing the Universal -- Conclusion -- Notes -- References -- Reflection 6 The Role of Public Statuary in the Global Circulation of Ideas -- Notes -- References -- Reflection 7 Provincializing the Universal -- Notes -- References -- Part 4 Curation and Authorization -- 4 Curatorship and Authorization in Chinese Contemporary Art Institutions -- Curating Art - Art as Curation -- Curatorial Pedigrees -- Competitive Canonizations -- Avenues of Curation -- Avenues of Authorization -- Conclusion -- Notes -- References -- Reflection 8 Curation and Forms of Censorship -- Notes -- References -- Reflection 9 Authorization, Derivative Discourse, and Discursive Equality -- Notes -- References -- Part 5 Validation and Circuits of Valuation -- 5 From Mumbai to London: Co-Constituting Value in Art From India Via Local and Global Circuits of Valuation -- Circuits of Valuation and Global Hierarchies of Value -- Artists and Careers -- Dealers and Sales -- Collecting and Selecting Art -- Conclusion -- Notes -- References -- Reflection 10 Validation and the Global Hierarchy of Value: Moving in a Rugged Landscape -- References -- Reflection 11 A Mandala of Value: A Granular Approach to Art Valuation Across Geopolitical Fragments -- Notes -- References -- Part 6 Indigenous Art and Indigenous Cultural Capital -- 6 Re-Collecting, Re-Classifying, Re-Ordering: Indigenous Art and the Contemporary Australian Art Field -- Limits of the Global Contemporary.

Indigenous Art: A Relatively Autonomous Sub-Field -- Re-painting History -- Mapping Culture to Country -- Conclusion -- Notes -- References -- Reflection 12 Indigenous Protagonism and Its Impact On the Brazilian Art System -- Notes -- References -- Reflection 13 Indigenous Art: Decolonization Through the Looking Glass -- Notes -- References -- Afterword: Agency and Hierarchy in the Creation of Aesthetic Value -- Notes -- References -- Index.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2023. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

There are no comments on this title.

to post a comment.