The music of Ramon Raquello and his orchestra & other stories / Eric Baudelaire ; editor, Natasha Hoare.
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TextPublication details: Rotterdam : Witte de With, 2017. Description: 1 v. (unpaged) : ill. ; 24 cmISBN: 9789491435508; 9491435507Other title: Music of Ramn̤ Raquello and his orchestra and other storiesSubject(s): Baudelaire, Eric, 1973- -- ExhibitionsLOC classification: NX549.Z9 | B382 2017Summary: The Music of Ramn̤ Raquello and his Orchestra is the largest monographic presentation of the work of Eric Baudelaire to date, including his latest feature length film Also Known As Jihadi (2017). Baudelaire's oeuvre has ceaselessly and open-endedly engaged with histories of images, cinema, radical militancy, and violence by or against the state. Spanning over a decade of artistic production across installation, print, photography and film, the exhibition follows his sustained attempts to find a form that accommodates the catastrophic complexity of contemporary life. The exhibition draws on a reoccurring leitmotif in Baudelaire's work, that of the "return". Here, historical trajectories become looping re-visitations rendered both through the art works themselves and ghosted through their spatial realization.
| Item type | Current library | Call number | Status | Date due | Barcode |
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Jameel Library | NX549.Z9 B382 2017 (Browse shelf(Opens below)) | Available | 13332 |
Published on the occasion of the exhibition held at Witte de With Center for Contemporary Art, Rotterdam, The Netherlands, January 27-May 21, 2017, and at Tabakalera International Centre for Contemporary Culture, Donostia/San Sebastiǹ, Spain, June 23-October 15, 2017.
Includes bibliographical references.
The Music of Ramn̤ Raquello and his Orchestra is the largest monographic presentation of the work of Eric Baudelaire to date, including his latest feature length film Also Known As Jihadi (2017). Baudelaire's oeuvre has ceaselessly and open-endedly engaged with histories of images, cinema, radical militancy, and violence by or against the state. Spanning over a decade of artistic production across installation, print, photography and film, the exhibition follows his sustained attempts to find a form that accommodates the catastrophic complexity of contemporary life. The exhibition draws on a reoccurring leitmotif in Baudelaire's work, that of the "return". Here, historical trajectories become looping re-visitations rendered both through the art works themselves and ghosted through their spatial realization.
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