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Permanent Temporariness / Sandi Hilal and Alessandro Petti.

By: Hilal, Sandi, 1973-Contributor(s): Petti, Alessandro, 1973-Material type: TextTextSeries: UAE Exhibition - NYUAD Art GalleryPublication details: Abu Dhabi : NYU Abu Dhabi Art Gallery, 2018. Description: 23, 22 p. : col. ill. ; 30 cmSubject(s): Hilal, Sandi, 1973- -- Exhibitions | Petti, Alessandro, 1973- -- Exhibitions | Refugees -- Social conditions -- ExhibitionsLOC classification: N6498.I56 | H55 2018Summary: The NYU Abu Dhabi (NYUAD) Art Gallery presents the first institutional retrospective of the artists and architects Sandi Hilal and Alessandro Petti. Throughout their work, the duo explores the state of "refugeeness," a condition meant to be temporary, but that has become permanent for many populations. Their project departs from the traditional reduction of refugees to victims and instead employs a wider interrogation of the present condition of impermanence and displacement affecting a vast number of people living as guests in host countries. Their artwork lies between conceptual speculation and an artistic practice. It is based on spatial interventions in art, architecture, discourse, research, and communal learning, often operating outside the typical art exhibition venue format. --Gallery website.
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Item type Current library Call number Copy number Status Date due Barcode
Books Books Jameel Library
N6498.I56 H55 2018 (Browse shelf(Opens below)) 1 Available 8106

Published on the occasion of the exhibition held at NYUAD Art Gallery, Saadiyat Island, Abu Dhabi, UAE, 24 February-9 June 2018.

The NYU Abu Dhabi (NYUAD) Art Gallery presents the first institutional retrospective of the artists and architects Sandi Hilal and Alessandro Petti. Throughout their work, the duo explores the state of "refugeeness," a condition meant to be temporary, but that has become permanent for many populations. Their project departs from the traditional reduction of refugees to victims and instead employs a wider interrogation of the present condition of impermanence and displacement affecting a vast number of people living as guests in host countries. Their artwork lies between conceptual speculation and an artistic practice. It is based on spatial interventions in art, architecture, discourse, research, and communal learning, often operating outside the typical art exhibition venue format. --Gallery website.

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