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Storytellers of Art Histories.

By: Siddiqui, YasmeenContributor(s): Patel, Alpesh KantilalMaterial type: TextTextSeries: Living and Sustaining a Creative LifePublisher: Bristol : Intellect Books Ltd, 2022Copyright date: �2022Edition: 1st edDescription: 1 online resource (196 pages)Content type: text Media type: computer Carrier type: online resourceISBN: 9781789384291Genre/Form: Electronic books. Additional physical formats: Print version:: Storytellers of Art HistoriesOnline resources: Click to View
Contents:
Intro -- Half Title -- Living and Sustaining a Creative Life -- Title Page -- Copyright Page -- Contents -- Preface -- Introduction: The Story Behind Storytellers -- Notes -- Nana Adusei-Poku -- Michelle Antoinette -- Regine Basha -- Abby Chen -- Notes -- Delinda Collier -- Notes -- Parul Dave-Mukherji -- Notes -- Jane Chin Davidson -- Notes -- Allan Desouza -- Notes -- Claire Farago and Donald Preziosi -- Collaboration -- Donald Preziosi -- Claire Farago -- Josh T Franco -- Notes -- Chitra Ganesh -- Figuration and the erotic -- Friendship as life support -- Note -- David J. Getsy -- Notes -- Roselee Goldberg -- South Africa -- Art history -- London -- The Royal College of Art Gallery -- New York -- The Kitchen -- Teaching -- First commission -- Performa -- Amy Hamlin -- Be�ata Hock -- Notes -- Claire Hsu -- Note -- Alice Ming Wai Jim -- Amelia Jones -- Part I: Formation -- Part II: Creativity is never free: Thinking creatively in the academy -- Part III: Finding creative agency in the face of clich�es -- Notes -- Ying Kwok -- Miranda Lash -- Vi��et L�e and Waseem Kazzah -- Collaboration -- The art of forgetting -- Text -- Pawe� Leszkowicz -- Notes -- Lucy R. Lippard -- Vignettes along the path -- Note -- Margo Machida -- Negotiating the academy -- Art and dialogic exchanges -- Amalia Mesa-Bains -- #1 Baby art and the mysterious pencil -- #2 Dad and the easel -- #3 High hippy days and self-revelation -- #4 Teacher Corps and political life -- #5 Chicano Movement and the Galeria de la Raza -- #6 Days of the dead -- #7 Frida arrives -- #8 Finding a new form: Expanding sacred spaces -- #8 Not Again, Chicano Art: Resistance and Affirmation (CARA), 1990 National Endowment for the Humanities -- #9 Caribbean Cultural Center/African Diaspora Institute: Cultural Diversity through Cultural Grounding Series, 1989, 1991, 1993.
#10 Learning to live with the studio after the MacArthur (or get out of the garage) -- #11 Surviving to make art-left-handed drawings -- Postcard epilogue -- Notes -- Marsha Meskimmon -- Notes -- Combiz Moussavi-Aghdam -- Derek Conrad Murray -- Notes -- Samuel Peck -- Notes -- Raqs Media Collective -- Shahzia Sikander -- Promiscuous intimacies -- Notes -- Lowery Stokes Sims -- Jaune Quick-To-See Smith -- Confederated Salish and Kootenai Nation MT -- Przemys�aw Stro�zek -- Gloria Sutton -- Public = civic -- Marginality as method -- Note -- Acknowledgments.
Summary: A collection of first-person narratives from an international group of art historians, curators, artists and archivists. Fills a significant gap in the literature by demonstrating how these practitioners' work comes together to teach and write art history, and the relationship between curatorial studies and art history. 5 b/w illus.
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Intro -- Half Title -- Living and Sustaining a Creative Life -- Title Page -- Copyright Page -- Contents -- Preface -- Introduction: The Story Behind Storytellers -- Notes -- Nana Adusei-Poku -- Michelle Antoinette -- Regine Basha -- Abby Chen -- Notes -- Delinda Collier -- Notes -- Parul Dave-Mukherji -- Notes -- Jane Chin Davidson -- Notes -- Allan Desouza -- Notes -- Claire Farago and Donald Preziosi -- Collaboration -- Donald Preziosi -- Claire Farago -- Josh T Franco -- Notes -- Chitra Ganesh -- Figuration and the erotic -- Friendship as life support -- Note -- David J. Getsy -- Notes -- Roselee Goldberg -- South Africa -- Art history -- London -- The Royal College of Art Gallery -- New York -- The Kitchen -- Teaching -- First commission -- Performa -- Amy Hamlin -- Be�ata Hock -- Notes -- Claire Hsu -- Note -- Alice Ming Wai Jim -- Amelia Jones -- Part I: Formation -- Part II: Creativity is never free: Thinking creatively in the academy -- Part III: Finding creative agency in the face of clich�es -- Notes -- Ying Kwok -- Miranda Lash -- Vi��et L�e and Waseem Kazzah -- Collaboration -- The art of forgetting -- Text -- Pawe� Leszkowicz -- Notes -- Lucy R. Lippard -- Vignettes along the path -- Note -- Margo Machida -- Negotiating the academy -- Art and dialogic exchanges -- Amalia Mesa-Bains -- #1 Baby art and the mysterious pencil -- #2 Dad and the easel -- #3 High hippy days and self-revelation -- #4 Teacher Corps and political life -- #5 Chicano Movement and the Galeria de la Raza -- #6 Days of the dead -- #7 Frida arrives -- #8 Finding a new form: Expanding sacred spaces -- #8 Not Again, Chicano Art: Resistance and Affirmation (CARA), 1990 National Endowment for the Humanities -- #9 Caribbean Cultural Center/African Diaspora Institute: Cultural Diversity through Cultural Grounding Series, 1989, 1991, 1993.

#10 Learning to live with the studio after the MacArthur (or get out of the garage) -- #11 Surviving to make art-left-handed drawings -- Postcard epilogue -- Notes -- Marsha Meskimmon -- Notes -- Combiz Moussavi-Aghdam -- Derek Conrad Murray -- Notes -- Samuel Peck -- Notes -- Raqs Media Collective -- Shahzia Sikander -- Promiscuous intimacies -- Notes -- Lowery Stokes Sims -- Jaune Quick-To-See Smith -- Confederated Salish and Kootenai Nation MT -- Przemys�aw Stro�zek -- Gloria Sutton -- Public = civic -- Marginality as method -- Note -- Acknowledgments.

A collection of first-person narratives from an international group of art historians, curators, artists and archivists. Fills a significant gap in the literature by demonstrating how these practitioners' work comes together to teach and write art history, and the relationship between curatorial studies and art history. 5 b/w illus.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2022. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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