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When artists curate : contemporary art and the exhibition as medium / Alison Green.

By: Green, Alison (Art historian)Material type: TextTextSeries: Art since the '80sPublication details: London, UK : Reaktion Books, 2018. Description: 295 p. : illustrations (some color) ; 20 cmISBN: 1780239335; 9781780239330Subject(s): Artists as art museum curators | Curatorship | Art -- Exhibition techniquesLOC classification: N408 | .G74 2018
Contents:
Introduction : when artists curate -- A brief history of artists curating before the 1980s -- Experimenting with and without curators -- Museums and not-museums -- Authoring -- Habitus -- Open works -- Displays of criticality -- Conclusion : the exhibition as medium.
Summary: An increasing proportion of exhibitions are curated by artists rather than professional curators. In this ground-breaking book Alison Green provides the first critical history of visual artists curating exhibitions. The artist emerges as someone who carries a special responsibility for critiquing art's institutions, brings considerable creativity to the craft of making exhibitions and, through experimentation, has changed the way exhibitions are understood to be authored and experienced. But the book also establishes a curious ubiquity to the artist-curated exhibition. Rather than being exceptional or rare, artists curate all the time and in all kinds of places: in galleries and in museums, in studios, in borrowed spaces such as shopfronts or industrial buildings, in front rooms and front windows, in zoos or concert halls, on streets and in nature. Seen from the perspective of artists, showing is a part of making art. Once this idea is understood, the history of art starts to look very different. 0With extensive explorations of well-known artists such as Daniel Buren, Goshka Macuga, Thomas Hirschhorn, Rosemarie Trockel, Hito Steyerl, Andy Warhol and Felix Gonzalez-Torres, this book will change the way readers think about and look at exhibitions.
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Books Books Jameel Library
N408 .G74 2018 (Browse shelf(Opens below)) Available 77016614

"First published 2018, reprinted 2019."

Includes bibliographical references (pages 249-281) and index.

An increasing proportion of exhibitions are curated by artists rather than professional curators. In this ground-breaking book Alison Green provides the first critical history of visual artists curating exhibitions. The artist emerges as someone who carries a special responsibility for critiquing art's institutions, brings considerable creativity to the craft of making exhibitions and, through experimentation, has changed the way exhibitions are understood to be authored and experienced. But the book also establishes a curious ubiquity to the artist-curated exhibition. Rather than being exceptional or rare, artists curate all the time and in all kinds of places: in galleries and in museums, in studios, in borrowed spaces such as shopfronts or industrial buildings, in front rooms and front windows, in zoos or concert halls, on streets and in nature. Seen from the perspective of artists, showing is a part of making art. Once this idea is understood, the history of art starts to look very different. 0With extensive explorations of well-known artists such as Daniel Buren, Goshka Macuga, Thomas Hirschhorn, Rosemarie Trockel, Hito Steyerl, Andy Warhol and Felix Gonzalez-Torres, this book will change the way readers think about and look at exhibitions.

Introduction : when artists curate -- A brief history of artists curating before the 1980s -- Experimenting with and without curators -- Museums and not-museums -- Authoring -- Habitus -- Open works -- Displays of criticality -- Conclusion : the exhibition as medium.

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