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Filmed thought : cinema as reflective form / Robert B. Pippin.

By: Pippin, Robert B, 1948-Material type: TextTextPublication details: Chicago : The University of Chicago Press, 2020. Description: 271 p. : ill. ; 23 cmISBN: 9780226671956 (cloth); 9780226672007 (pbk)Subject(s): Motion pictures -- United States -- History and criticism | Motion pictures -- AestheticsLOC classification: PN1993.5.U6 | P53 2020
Contents:
Cinema as reflective form. Cinematic reflection ; Cinematic self-consciousness in Alfred Hitchcock's Rear Window -- Moral variations. Devils and angels in Pedro Almodovar's Talk to Her ; Confounding morality in Alfred Hitchcock's Shadow of a Doubt -- Social pathologies. Cinematic tone in Roman Polanski's Chinatown: can "life" itself be "false"? ; Love and class in Douglas Sirk's All That Heaven Allows -- Irony and mutuality. Cinematic irony: the strange case of Nicholas Ray's Johnny Guitar ; Passive and active skepticism in Nicholas Ray's In a Lonely Place -- Agency and meaning. Vernacular metaphysics: on Terrence Malick's The Thin Red Line ; Psychology degree zero? the representation of action in the films of the Dardenne Brothers.
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PN1993.5.U6 P53 2020 (Browse shelf(Opens below)) Available 13066

Includes bibliographical references and index.

Cinema as reflective form. Cinematic reflection ; Cinematic self-consciousness in Alfred Hitchcock's Rear Window -- Moral variations. Devils and angels in Pedro Almodovar's Talk to Her ; Confounding morality in Alfred Hitchcock's Shadow of a Doubt -- Social pathologies. Cinematic tone in Roman Polanski's Chinatown: can "life" itself be "false"? ; Love and class in Douglas Sirk's All That Heaven Allows -- Irony and mutuality. Cinematic irony: the strange case of Nicholas Ray's Johnny Guitar ; Passive and active skepticism in Nicholas Ray's In a Lonely Place -- Agency and meaning. Vernacular metaphysics: on Terrence Malick's The Thin Red Line ; Psychology degree zero? the representation of action in the films of the Dardenne Brothers.

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