000			01792cam a2200229 a 4500
008			150306s2015 nyua g 001 0 eng
020			_a9780199361496 (hardcover)
040			_cAE-ShKH
043			_aa-iq---
050	0	0	_aML3917.I72 _bD38 2015
100	1		_aDaughtry, J. Martin. _91382
245	1	0	_aListening to war : _bsound, music, trauma and survival in wartime Iraq / _cJ. Martin Daughtry.
260			_aNew York : _bOxford University Press, _c[2015]
300			_axi, 344 p. : _bill. ; _c25 cm
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction: Composing thoughts on sound and violence -- Fragment #1: The presence of mind to save an ear: Ali's story -- Section I: Sonic materiel -- Belliphonic sounds and indoctrinated ears: The elements of wartime audition -- Mapping zones of wartime (in)audition -- Fragment #2: Stealth and improvisation in the desert: Jason's story -- Fragment #3: Loudly searching in the resonant darkness: The anatomy of a nighttime house raid -- Section II: Structures of listening, sounding, and emplacement -- Auditory regimes -- Sonic campaigns -- Acoustic territories -- Fragment #4: A fatal mishearing -- Section III: Music, mediation, and survival -- Mobile music in the military -- Fragment #5: From "Hell's Bells" to "Silent night": A conversation about music in the military -- Fragment #6: Keeping the music turned down low: Shymaa's story -- A time of troubles for Iraqi music -- Conclusion -- Fragment #7: Listening as poiesis: Tareq's story.
650		0	_aIraq War, 2003-2011 _xMusic and the war. _97883
650		0	_aMusic _xPsychological aspects. _97884
650		0	_aIraq War, 2003-2011 _xPsychological aspects. _97885
650		0	_aMusic in the army. _97886
650		0	_aSound _xPsychological aspects. _97887
999			_c2658 _d2658