000 02989cam a2200265 i 4500
008 141201t2015 caua b s001 0 eng c
020 _a9780520283657 (cloth : alk. paper)
020 _a0520283651 (cloth : alk. paper)
040 _aAE-DuAJ
043 _af-ti---
050 0 0 _aN6758.5.M63
_bB46 2015
100 1 _aBenjamin, Roger,
245 1 0 _aKandinsky and Klee in Tunisia /
_cRoger Benjamin with Cristina Ashjian.
260 _aOakland, California :
_bUniversity of California Press,
300 _aix, 233 pages :
_billustrations (chiefly color) ;
_c27 cm
504 _aIncludes bibliographical references and index.
505 0 _a"Ella" and "Wassi" : the lovers as tourists -- Kandinsky and the ethno-decorative : working negroes -- Hotel Saint Georges and the terrain vague -- Tunisian decorative art and the Belvedere Park -- Modern Carthage, 1905 -- Carnivals and fantasias -- Mosques and marabouts of Tunis : open space -- Arches and alleys of Tunis : compressed space -- Arab city : views of Sousse and Kairouan -- Memories of the Maghreb and Arab Cemetery, 1909 -- Munich-Tunis: a bildungsreise -- Pictures of Tunis, April 1914 -- The "European colony" of St. Germain -- A crystalline Hammamet -- The holy city of Kairouan -- Sidi Sahabi and l'art populaire -- Outside the walls of Kairouan -- Mosque of the Sabres -- North African resonances, 1914-1915 -- Conclusion : navigating colonial cultures.
520 _a"Paul Klee experienced his 1914 trip to Tunisia as a major breakthrough for his art: 'Color and I are one,' he famously wrote. 'I am a painter.' 'Kandinsky and Klee in Tunisia' sets the scene for Klee's breakthrough with a close study of the parallel voyage undertaken in 1904-5 by Wassily Kandinsky and Gabriele M√ľnter, who would later become Klee's friends. This artist couple, then at an early stage in their celebrated careers, produced a rich body of painting and photography known only to specialists. Paul Klee's 1914 trip with August Macke and Louis Moilliet, in contrast, is a vaunted convergence of Cubism and the exotic. Roger Benjamin refigures these two seminal voyages in terms of colonial culture and politics, the fabric of ancient Tunisian cities, visual ethnography, and the tourist photograph. The book looks closely at the cities of Tunis, Sousse, Hammamet, and Kairouan to flesh out a profound confrontation between European high modernism and the wealth of Islamic lifeways and architecture. Kandinsky and Klee in Tunisia offers a new understanding of how the European avant-garde was formed in dialogue with cultural difference"--
_cProvided by publisher.
600 1 0 _aKandinsky, Wassily,
600 1 0 _aKlee, Paul,
650 0 _aModernism (Art)
_xAfrican influences.
650 0 _aArt, Modern
_y20th century.
651 0 _aTunisia
_xIn art.
700 1 _aAshjian, Cristina,
999 _c4159